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Fledgling, 2016 8"x8", Oil on board |
Monday, October 10, 2016
Northern Cardinal Fledgling
Friday, August 12, 2016
The Eastern Towhee
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Towhee, 4x4" Oil on Board, 2016 |
Friday, August 5, 2016
Baltimore Oriole
Monday, August 1, 2016
The Baltimore Oriole
Friday, July 29, 2016
The Oriol's Secret
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Oriole, 8x8" Oil on Board, 2016 |
To hear an oriole sing
May be a common thing,
Or only a divine.
It is not of the bird
Who sings the same, unheard,
As unto crowd.
The fashion of the ear
Attireth that it hear
In dun or fair.
So whether it be rune,
Or whether it be none,
Is of within;
The "tune is in the tree,"
The sceptic showeth me;
"No, sir! In thee!"
Tuesday, May 17, 2016
A Black Rainbow
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A Black Rainbow, 2016 Oil on Board, 10" x 10" |
The origin of Crow is well documented. In an article written in 198519, Hughes explained:
Crow grew out of an invitation by Leonard Baskin to make a book with him simply about crows. He wanted an occasion to add more crows to all the crows that flock through his sculpture, drawings, and engravings in their various transformations. As the protagonist of a book, a crow would become symbolic in any author’s hands. And a symbolic crow lives a legendary life. That is how Crow
took off.
Crow Grinned
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Crow Grinned, 2016, Oil on Board 10" x 10" |
When God, disgusted with man,
Turned towards heaven.
And man, disgusted with God,
Turned towards Eve,
Things looked like falling apart.
But Crow . . Crow
Crow nailed them together,
Nailing Heaven and earth together -
So man cried, but with God's voice.
And God bled, but with man's blood.
Then heaven and earth creaked at the joint
Which became gangrenous and stank -
A horror beyond redemption.
The agony did not diminish.
Man could not be man nor God God.
The agony
Grew.
Crow
Grinned
Crying: 'This is my Creation,'
Flying the black flag of himself.
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